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Evil Dead Trap 2
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Japanese:
Hideki: Shiryo no wana Aki Otani (Shoko Nakajima) is a shy, overweight female projectionist with few friends outside of TV reporter Eimi (KIRIKO's Rie Kondo). Afraid of men and treated poorly by everyone, Aki expresses her anger and self-hatred by attacking young women and cutting out their ovaries. Eimi tries to set her up with creepy Kurahashi (GODZILLA 2000's Shiro Sano), who has a deluded wife hidden away at home pining for their missing son. Night after night, Aki looks down from her booth and sees a malevolent looking child staring back at her but, when she comes down to the auditorium to investigate, he is nowhere to be found. Aki continues to see the boy, however, sometimes even in the background of Eimi's news broadcasts. Taking the advice of her boss, Aki visits a pseudo-religious group called The Shinki Sect and, while in a trance, experiences a vision that leaves her hysterical. The Shinki's terminally ill leader recognizes that her latest disciple is no ordinary human and this is seemingly born out as Aki becomes increasingly haunted by a series of vividly grotesque occurrences. Just what is real and what is the product of her deranged mind? That is also the question audience members will ponder throughout most of this superior, in-name-only follow-up to the 1988 hit (see review HKD #103). Director Izo Hashimoto offers intensely stylish visuals but largely shuns the rampant Italian horror homages of Toshiharu Ikeda's original (Dario Argento fans might still recognize an occasional nod, particularly to one of the murders in TENEBRAE). Like many Japanese horror films, this approach extends a great deal of poetry amidst almost unimaginable horror and that arresting contrast helps draw one into the leisurely, dream-like atmosphere. It is difficult to describe the narrative here without giving away major events and, since the film was never meant to be linear anyway, elaborating too much would largely be fruitless. Suffice to say that this just may be the ultimate anti-abortion horror film, with the psychological and physical consequences of the procedure investigated in just about every unpleasant way conceivable. Those bothered by the oblique nature of Japanese horror will find that this picture personifies everything they dislike. More adventurous viewers, meanwhile, will likely be enthraled by the way in which various sequences so effectively mix both primal and David Cronenberg-style bodily horror. |
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Netherlands: 16
Spain: 18
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Copyright
© John Charles 2000 - 2002. All Rights Reserved.
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