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Dragon on Fire
(1979; Asso Asia Film Production)
RATING |
10
A Masterpiece |
9
Excellent |
8
Highly Recommended |
7
Very Good |
6
Recommended |
5
Marginal Recommendation |
4
Not Recommended |
3
Poor |
2
Definitely Not Recommended |
1
Dreadful |
Alternate English Title:
The Dragon, the Hero
87 Minutes
Contains moderate violence and brief sexual violence
ZOOM
John Liu. Image courtesy Brentwood. |
Director
Godfrey Ho Chi-keung has been responsible for some truly appalling motion
pictures and this one is certainly no undiscovered gem either. It does,
however, offer an abundance of demented fun, along with some high quality
kung fu. SECRET RIVALS stars John Liu Chung-liang and Tino Wong Cheung
are masters of the deadly Strike Rock Fist technique carrying on a personal
feud that began in the previous generation. Their paths eventually cross,
thanks to martial arts contests being staged for the amusement of crippled,
pasty-faced pervert Chan Lau (whose sai lo was bitten off by a
dog after he tried to rape a young woman several years earlier). Phillip
Ko Fei plays Chan's right hand man, a powerful fighter who finishes off
any contestant unfortunate to actually win a bout. Dragon Lee also occasionally
pops up in the narrative to clobber various miscreants, |
while displaying as many of Bruce Lee's trademark mannerisms
as possible. Eventually, all three of them team-up to take down Chan and Ko.
Liu displays some customarily amazing legwork and
the protracted climactic bout is terrific but it is the eccentric touches
and goofy dubbing that most viewers will savor. Bolo Yeung plays a sauntering
ape of a fighter with hairy toes (when his opponent gets one look at Bolo's
considerable chest he exclaims, "Wow, I must pick your fruits!"),
while Ko carries around an egg timer ("When the sand is done, my Eagle's
Claw will have won!") and invents his own style of fighting that supposedly
incorporates aspects of every known technique. Chan's character (who subsists
on a tonic made from bugs and frogs) is supposedly confined to his wheelchair
but, by the final reel, he has transformed into a frothing beast ("You
ought to be put down! You've got rabies!") who practices a ridiculous
form of kung fu he calls "The Mad Dog Technique"! Let's also not
forget the requisite eccentric master, who gets his tobacco fix by smoking
an entire pack of cigarettes at once! With Feng Sing (appearing briefly as
one of the three fighters who take on Liu in his first match), actor/director
David Wu Tai-wai (as the martial world's scrawniest proponent) and music stolen
wholesale from STAR WARS, SORCERER, and DAWN OF THE DEAD.
Resolution is fair at best and colors are quite oversaturated;
cropping is a near-constant annoyance. The word "bullshit" has been
blipped from the soundtrack, indicating that this is a TV print. Xenon's DVD
(now discontinued) is cropboxed at 1.85:1 but derived from the UK release,
which is cut by 3 minutes. That said, it does include more of the infamous
castration scene and a better assembly of the last battle (which has been
slightly re-edited in the US print).
Golden Dragon,
Silver Snake
(1979; Asso Asia Film Production)
RATING |
10
A Masterpiece |
9
Excellent |
8
Highly Recommended |
7
Very Good |
6
Recommended |
5
Marginal Recommendation |
4
Not Recommended |
3
Poor |
2
Definitely Not Recommended |
1
Dreadful |
88 Minutes
Contains moderate violence
ZOOM
Dragon Lee. Image courtesy Brentwood. |
More typical
of Godfrey Ho's output, this contemporary effort stars Dragon Lee as martial
expert Han Lung, who arrives in town looking for vengeance after his brother
is murdered by a gang of extortionists. Their leader (dubbed by some clown
doing a fifth-rate Humphrey Bogart imitation) tries to force a family
off of their farm, in order to use the property for a hotel. After working
for a while as a cook (and pummelling the requisite number of troublemakers),
Han gets a job at the farm, which is lucky for the owners, as the gangsters
decide to start getting rough. With the help of a young expert (REVENGE
OF THE DRUNKEN MASTER's Johnny Chan), Han sets about cleaning house. While
there is no shortage of goofy moments (Donald Kong To spends most of the
picture sporting a wig that is identical to his |
character's real hair, and Dragon Lee eschews the usual
martial weapons in favor of an aluminum baseball bat!), this is a dire production,
with undistinguished choreography, snail pacing, puerile comedy, awful stock
music, and more ridiculous-than-usual foley FX. An uncredited Cheung Nik appears
in an opening reel fight sequence that has nothing to do with anything here
and is obviously recycled from another Asso Asia title (possibly BIG BOSS II)
to get the running time closer to 90 minutes.
Colors are overly hot but the image is reasonably
good. The sound features the usual weaknesses, as well as one amusingly strange
gaffe: every 10 minutes, an audio technician's voice comes on the track and
says things like "OK, I'm coming to the end of Segment 1. Out and back
in on double beeps." Once again, any and all swearing has been removed
from the track.
The Killing
Machine
(1975; Toei)
RATING |
10
A Masterpiece |
9
Excellent |
8
Highly Recommended |
7
Very Good |
6
Recommended |
5
Marginal Recommendation |
4
Not Recommended |
3
Poor |
2
Definitely Not Recommended |
1
Dreadful |
Japanese: Shorinji
kenpo
86 Minutes
Contains brutal violence and brief sexual violence
ZOOM
Sonny Chiba. Image courtesy Brentwood. |
Things,
thankfully, take a major upswing with this brisk, well-produced Sonny
Chiba vehicle directed by Norifumi Suzuki (SHOGUN'S NINJA) and based on
the life of Shorinji Kenpo master Doshin So. Following Japan's defeat
in WWII, the country is plunged into economic and social chaos. Iron soldier
So (Chiba) is unable to live with the disgrace his country now experiences
and dedicates himself to helping the unfortunate. Eventually, though,
his battles with black marketeers and inhuman American GIs force him to
flee Osaka. Relocating to a new area, So establishes a Shaolin martial
arts school and finds a number of receptive disciples. This is fortunate,as
there are still many miscreants to be dealt with. The proceedings get
melodramatic at times, but not destructively so, and the English dubbing
is above average. As usual, Chiba's martial arts may not be |
all that graceful but he projects strength and intensity
better than just about anyone else in the genre (when he hurts people, you can
easily believe that they have one foot in the grave). The always welcome Etsuko
Shiomi has a supporting role as So's first female student. THE KILLING MACHINE
played American theatres with an R rating, which seems incredible, considering
some of the carnage on display (most notably, the infamous sequence where Chiba
uses a pair of scissors to castrate a rapist, with the man's discarded sai
lo then consumed by a passing dog!).
Brentwood's master is identical to the one utilized
by Prism Entertainment for their 1985 tape release. The image is usually pale
and brownish, with plenty of speckles on the source print. The splice line
tends to be visible at the bottom of the screen when shots change and, like
most of Chiba's films, the scope photography does not adapt well to 1.33:1.
Overall, it's still watchable and several of Chiba's films have arrived on
video looking worse. The VHS tape the master was sourced from has some mild
damage.
Rage of the Dragon
(1979; Asso Asia Film Production)
RATING |
10
A Masterpiece |
9
Excellent |
8
Highly Recommended |
7
Very Good |
6
Recommended |
5
Marginal Recommendation |
4
Not Recommended |
3
Poor |
2
Definitely Not Recommended |
1
Dreadful |
Alternate English Title:
Mission for the Dragon
90 Minutes
Contains mild violence
ZOOM
Carter Wong. Image courtesy Brentwood. |
Another
Godfrey Ho stinker, this snoozer features Dragon Lee as a young master
out to find his missing father, who has been accused of murder. The son
of the dead man decides to eliminate Lee as recompense but is temporarily
dissuaded by a local antiques collector (Carter Wong), who suffers from
light sensitivity. However, this benevolence is really just part of a
ruse to hide Wong's guilt, which arises from his desire to possess a priceless
royal statue. There is absolutely no logic to the way Wong's eye problem
is handled (he seems to wear his shades more often indoors than out!)
or anything else here...and what is the story with the comic relief supporting
character who goes through the entire movie with a piece of mud (or worse)
stuck to his nose? The film is further burdened by some of the |
most ridiculous foley FX ever heard in the genre and
the low impact fighting (which only earned the film a PG rating for the U.S.
release) will not impress anyone.
The transfer is equally ghastly: oversaturated
colors (with orange fleshtones), very poor contrasts (night sequences are impenetrable
and whites bloom), and an exceedingly soft and smeary image. The sound is harsh
and the wretched dubbing grates on one's nerves.
The Crippled
Masters
(1982)
RATING |
10
A Masterpiece |
9
Excellent |
8
Highly Recommended |
7
Very Good |
6
Recommended |
5
Marginal Recommendation |
4
Not Recommended |
3
Poor |
2
Definitely Not Recommended |
1
Dreadful |
88 Minutes
Contains
moderate violence
ZOOM
Image courtesy Brentwood. |
Chang
Cheh's CRIPPLED AVENGERS (1978) told of how a group of disabled men used
unusual forms of kung fu to overcome their physical limitations and get
revenge upon the man who destroyed their lives. This cheap production
takes that premise and "improves" upon it by using actual disabled
performers as the leads. Disfigured hunchbacked ganglord Lin Cheng-kung
has his men chop off the arms of underling Lee Ho. After enduring untold
cruelty and humiliation at the hands of uncaring townsfolk, Lee meets
up with a kindly farmer, who helps him regain his strength and confidence.
One day, Lee encounters a second victim of Lin's cruelty, Cheng Siu-ching,
who had his legs dissolved with acid. An elderly master (who likes to
sleep folded up inside a steaming basket) suggests that the men become
"two parts of a whole" and concocts the necessary exercises,
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leading to the inevitable finale where Cheng hops on
Lee's back to battle Lin. While certainly not in the same league as Chang's
picture and fundamentally tasteless, this possesses definite curiosity value
for its play on the usual Old School scenario and training sequences. No aspect
of the production is particularly well executed but the leads (who were the
victims of birth defects, rather some kind of debilitating accident) do terrific
work under the circumstances and also appeared in two other pictures: TWO CRIPPLED
HEROES and FIGHTING LIFE.
New Line Cinema released THE CRIPPLED MASTERS to
domestic theatres and on tape and laserdisc before their rights (presumably)
expired. Brentwood has utilized a duplicate of their master for this presentation.
While the cropping and somewhat soft appearance make this a weak rendering
by major studio standards, it is above average for an Old School transfer.
Even the audio is clearer and less distorted than usual. New Line's version
bears no credits other than the title; reference sources list Joe Law Chi
as the director, and Frankie Sum Si-wah and Jack Chow Se-tung as the stars.
Ninja Turf
(1985; Action Brothers Productions)
RATING |
10
A Masterpiece |
9
Excellent |
8
Highly Recommended |
7
Very Good |
6
Recommended |
5
Marginal Recommendation |
4
Not Recommended |
3
Poor |
2
Definitely Not Recommended |
1
Dreadful |
Alternate English Titles:
Chinatown, Los Angeles Streetfighter
82 Minutes
Contains
moderate violence, coarse language, nudity, and mild sexual content
ZOOM
James Lew. Image courtesy Brentwood. |
There
isn't a ninja within a hundred miles of this awful U.S./South Korean co-production,
which was shot MOS and horribly post-synced. Ubiquitous DTV supporting
actor James Lew (whose teased 80s hair seriously works against his tough
guy image here) plays the leader of a high school extortion gang facing
opposition from honest student Phillip Rhee (from the BEST OF THE BEST
series) and his tough buddy (Jun Chong). The latter makes the mistake
of stealing money from some mobsters, who proceed to kidnap his friends,
leading to the inevitable showdown in an empty building. The fights are
rarely better than mediocre, while everything else is aimless, boring
filler and many of the actors playing students are halfway to getting
their social security checks. This evidently had some success back home
as director Richard Park Woo-sang went on to helm a 1993 sequel, |
CHINATOWN 2, which no one was stupid enough to release
on these shores. Bill "Superfoot" Wallace co-stars as a hitman and
Brinke Stevens appears in a brief hot tub sex scene. Brentwood's menu copyright
notice appears at the close of the end crawl.
After a brief run in theatres via the short-lived
Ascot Entertainment Group, this was issued on tape and LD through RCA/Columbia;
the latter format is where Brentwood derived their master. If you want to push
a bad movie into the realm of truly unwatchable, just give it the kind of transfer
that NINJA TURF has received. The image is consistently dark, grainy, and blurry,
with anaemic colors. The majority of the movie takes place either at night or
in low-light situations and, in many set-ups, virtually nothing of interest
is visible within the frame. The sound is probably no worse than the original
mix, which isn't saying much. Digital instability is occasionally evident in
backgrounds. The only film in the set not to be shot in 2.35:1, NINJA TURF does
not look nearly as cropped as the others but that is not much of a plus.
Deadly Kick
(1976; Taechang Productions)
RATING |
10
A Masterpiece |
9
Excellent |
8
Highly Recommended |
7
Very Good |
6
Recommended |
5
Marginal Recommendation |
4
Not Recommended |
3
Poor |
2
Definitely Not Recommended |
1
Dreadful |
99 Minutes
Contains brutal violence, torture, mild sexual
violence, brief nudity, and mild sexual content
ZOOM
Bobby Kim. Image courtesy Brentwood. |
Another South Korean
production, DEADLY KICK stars Lo Lieh (who also co-directed with Young
Nam-koh) as an ex-con who becomes involved with a smuggling ring and is
pursued by a woman he raped and blinded. Also searching for him is Charles
Bronson lookalike Bobby Kim (THE MANCHURIAN AVENGER), whose character
belonged to the same martial arts society and cannot forgive Lo for his
betrayal of their master. He does, however, enter into an uneasy partnership
with Lo as part of his plan to take out a Yakuza boss. The story plods
along with all the excitement and danger of a molasses avalanche and the
choreography is terrible (Lo is supposedly so fast and deadly, we don't
even see him hit his opponents in one fight!), though the blind female
avenger at least provides some novelty. The movie does have one moment
few viewers will forget: in a bit of overkill |
worthy of Sonny Chiba, Lo yanks out one villain's intestines
and then uses the steaming mess to strangle another! Portions of the film are
set in the snowy mountainside and it was obviously no picnic for the actors;
you can even see their breath during some interiors!
The image is rather soft and colors a tad pale,
and digital instability can be noted in some backgrounds. The sound is
very tinny and hard on the ears, a weakness heightened by a truly awful
score, and there is some heavy damage on the VHS source. Incidentally,
if you've seen another Lo/Kim film called DEADLY ROULETTE, then you've
already seen DEADLY KICK, as this is just a bizarre re-edit of ROULETTE
(released on tape in the 80s by Ocean Shores). The plot has been reworked
and some footage from another picture has been added to the mix.
Fists of Bruce Lee
(1978)
RATING |
10
A Masterpiece |
9
Excellent |
8
Highly Recommended |
7
Very Good |
6
Recommended |
5
Marginal Recommendation |
4
Not Recommended |
3
Poor |
2
Definitely Not Recommended |
1
Dreadful |
94 Minutes
Contains moderate violence
ZOOM
Bruce Li. Image courtesy Brentwood. |
After
three Dragon Lee outings, here is one with Bruce Li, the best of the Bogus
Bruces. Li (who also directed under his real name, Ho Chung-tao) plays
a security expert hired by a crotchety old rich man to make his mansion
safe. However, he turns around and conspires with a gang (whose ranks
include THE CHINESE CONNECTION's Wei Ping-ao, cast as yet another irritating
little weasel) to kidnap the man's daughter for a hefty ransom. To the
surprise of few in the audience (and no one who read Brentwoods
synopsis), Li is actually an undercover agent working to take down some
mobsters who are battling for possession of a name list. Li holds off
on the overt Bruce Lee mannerisms and the fighting is fairly good but
the storyline is almost entirely uninteresting and one's attention frequently
wanders during the half-hearted attempts at character |
development. Lo Lieh appears briefly in the opening
minutes and then again during the final reel to demonstrate a secret weapon
that is too silly for words.
Colors are pale, contrasts are harsh, and the
image is pretty soft. Cropping is worse than usual here, with several instances
where the principle character in a shot is completely off-screen. The sound
is tolerable, though the dubbing is abominable (the voice given to Li would
not be out-of-place for "The Nerd" in a frat comedy). The translation
is amusingly literal, giving Chinese names to the black and Caucasian fighters
employed by the villains.
Tattoo Connection
(1978)
RATING |
10
A Masterpiece |
9
Excellent |
8
Highly Recommended |
7
Very Good |
6
Recommended |
5
Marginal Recommendation |
4
Not Recommended |
3
Poor |
2
Definitely Not Recommended |
1
Dreadful |
Alternate English Title:
Black Belt Jones 2
87 Minutes (at 25 frames-per-second)
Contains moderate violence, torture, and nudity
ZOOM
Tan Tao-liang. Image courtesy Brentwood. |
Despite
wide exposure in ENTER THE DRAGON, Jim Kelly never made it to the top
ranks of martial arts action stars, though not for lack of trying. This
HK production has a modest budget but a quality director (Lee Tso-nam)
and a terrific cast of genre favorites to back up its imported star. Nicknamed
"The Black Six Million Dollar Man," former CIA agent Kelly (looped
by someone else) is sent to HK on a mission to retrieve the North Pole
Star diamond. The culprits are a group of thieves led by Chen Sing, all
of whom have eagle tattoos. The gang's lieutenant, Tan Tao-liang, displays
an unusual amount of compassion for a hoodlum, a character trait that
should tip-off even the dimmest audience member as to the direction the
plot will likely take. When Chen forces himself on Tan's exotic dancer
girlfriend and, later, breaks a promise, Tan decides to join forces with
the American. |
Kelly's kung fu is competent but he cannot help but
compare unfavorably with super kicker Tan and a rugged brawler like Chen. However,
this remains entertaining, well-paced trash with a good helping of action and
an amusingly high degree of gratuitous nudity. The script also provides a few
chuckles, some of them actually intentional. To wit:
Kelly: Your Chinese legs aren't bad.
Tan: I thank you. How does defeat taste?
Bruce Liang/Leung Siu-sung (who also served as fight
choreographer), Bolo Yeung, Lee Hoi-sang, and Donald Kong To also appear.
Alas, this is the worst presentation of the lot.
Contrasts are weak and the resolution is on par with EP mode VHS. The half
inch tape master (a shoddy PAL conversion) also contains dropouts and glitches
and, in the final half hour, there are major tracking problems that mess up
the image and audio. There is the usual wear on the print plus a weird stain
pattern on reel 2 that takes up so much of the screen, it deserves supporting
billing. Brentwood managed to get both the running time and the title wrong
("Tattoo Collection") in their write-up.
Militant Eagle
(1978; Chia Hsin Film Co/Yi Yun Film Co/Muse International Film Corporation)
RATING |
10
A Masterpiece |
9
Excellent |
8
Highly Recommended |
7
Very Good |
6
Recommended |
5
Marginal Recommendation |
4
Not Recommended |
3
Poor |
2
Definitely Not Recommended |
1
Dreadful |
93 Minutes
Contains moderate violence and torture
ZOOM
Pai Ying (centre) and Ling Yun. Image courtesy Brentwood. |
The set concludes with Li Chia-chi's MILITANT
EAGLE, a passable period yarn starring Barry Chan as a former soldier
now making a living as a street performer. Thrown out of a small town
by corrupt officials (who collect "taxes" from the people,
in brazen opposition to an Imperial decree forbidding such extortion),
Chan finds allies in the form of butcher Sit Hon and a young maiden,
whose relatives were murdered as retribution for their opposition to
the rampant corruption. A government representative arrives and plans
to prosecute those involved but a dart-flinging assassin (Ling Yun)
and a power mad ex-general (Pai Ying) have other plans. The storyline
(which contains the expected elements of mystery and betrayal) is sufficiently
interesting to compensate for the fact that there is not much in the
way of martial arts until the extended climax. Nancy Yen Nan-hsi, Tsai
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Hung, and bald giant Hsiao Chin (THE 72 DESPERATE REBELS)
also appear.
Colors are fairly vibrant but the image is dark,
soft, and dupey, and the sound suffers from the usual liabilities. Brief digital
break-up and some VHS dropouts do not help.
TOUGH GUYS OF KUNG FU is
available at Poker Industries.
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Copyright
© John Charles 2000 - 2003. All Rights Reserved.
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