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Issue #165 HOME E-mail: mail@dighkmovies.com BACK ISSUES June 23rd, 2003

Tough Guys of Kung Fu
(2002 release)

With the prices of major studio DVDs dropping to under $10 for some library titles, budget labels have come up with a new strategy to keep sales robust. Their prices are remaining pretty much the same but customers now get far more movies! Leading the way in this direction is Brentwood Home Video, which offers four movies for under $10 and ten for less than $20. At around $2 a film, this is a very tempting offer but collectors are warned that Brentwood is not a label concerned with offering high quality presentations: you can forget about any kind of digital remastering. Compounding matters is the fact that many of the company's releases are quasi-public domain and usually derived from VHS tapes in variable condition. TOUGH GUYS OF KUNG FU (#44598-9) offers ten Old School kung fu features across five two-sided NTSC DVDs. All are dubbed in English and cropped to fullscreen from their original ratios, with no subtitle or alternate language options. Eight chapters are provided for each feature, with video grab illustrations in the main menu. The audio (harsh and limited range, like most old martial arts movies) is Dolby Digital 2.0 and the set is coded for all regions. There are no extras, save for a Sonny Chiba filmography included with THE KILLING MACHINE. A brief copyright notice regarding the menus, chapters names, and menu music appears briefly onscreen during some of the movies and always at the same time: 1:21:27. With the exception of THE CRIPPLED MASTERS and NINJA TURF, the features are all vertically squeezed to a certain degree but the grabs below have been reformatted to regular dimensions.


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Cover art courtesy Brentwood.

DRAGON ON FIRE

GOLDEN DRAGON, SILVER SNAKE

THE KILLING MACHINE

RAGE OF THE DRAGON

THE CRIPPLED MASTERS

NINJA TURF

DEADLY KICK

FISTS OF BRUCE LEE

TATTOO CONNECTION

MILITANT EAGLE
Dragon on Fire
(1979; Asso Asia Film Production)


RATING 10
A Masterpiece
9
Excellent
8
Highly Recommended
7
Very Good
6
Recommended
5
Marginal Recommendation
4
Not Recommended
3
Poor
2
Definitely Not Recommended
1
Dreadful

Alternate English Title: The Dragon, the Hero
87 Minutes
Contains moderate violence and brief sexual violence


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John Liu. Image courtesy Brentwood.
Director Godfrey Ho Chi-keung has been responsible for some truly appalling motion pictures and this one is certainly no undiscovered gem either. It does, however, offer an abundance of demented fun, along with some high quality kung fu. SECRET RIVALS stars John Liu Chung-liang and Tino Wong Cheung are masters of the deadly Strike Rock Fist technique carrying on a personal feud that began in the previous generation. Their paths eventually cross, thanks to martial arts contests being staged for the amusement of crippled, pasty-faced pervert Chan Lau (whose sai lo was bitten off by a dog after he tried to rape a young woman several years earlier). Phillip Ko Fei plays Chan's right hand man, a powerful fighter who finishes off any contestant unfortunate to actually win a bout. Dragon Lee also occasionally pops up in the narrative to clobber various miscreants,
while displaying as many of Bruce Lee's trademark mannerisms as possible. Eventually, all three of them team-up to take down Chan and Ko.

Liu displays some customarily amazing legwork and the protracted climactic bout is terrific but it is the eccentric touches and goofy dubbing that most viewers will savor. Bolo Yeung plays a sauntering ape of a fighter with hairy toes (when his opponent gets one look at Bolo's considerable chest he exclaims, "Wow, I must pick your fruits!"), while Ko carries around an egg timer ("When the sand is done, my Eagle's Claw will have won!") and invents his own style of fighting that supposedly incorporates aspects of every known technique. Chan's character (who subsists on a tonic made from bugs and frogs) is supposedly confined to his wheelchair but, by the final reel, he has transformed into a frothing beast ("You ought to be put down! You've got rabies!") who practices a ridiculous form of kung fu he calls "The Mad Dog Technique"! Let's also not forget the requisite eccentric master, who gets his tobacco fix by smoking an entire pack of cigarettes at once! With Feng Sing (appearing briefly as one of the three fighters who take on Liu in his first match), actor/director David Wu Tai-wai (as the martial world's scrawniest proponent) and music stolen wholesale from STAR WARS, SORCERER, and DAWN OF THE DEAD.

Resolution is fair at best and colors are quite oversaturated; cropping is a near-constant annoyance. The word "bullshit" has been blipped from the soundtrack, indicating that this is a TV print. Xenon's DVD (now discontinued) is cropboxed at 1.85:1 but derived from the UK release, which is cut by 3 minutes. That said, it does include more of the infamous castration scene and a better assembly of the last battle (which has been slightly re-edited in the US print).

Golden Dragon, Silver Snake
(1979; Asso Asia Film Production)


RATING 10
A Masterpiece
9
Excellent
8
Highly Recommended
7
Very Good
6
Recommended
5
Marginal Recommendation
4
Not Recommended
3
Poor
2
Definitely Not Recommended
1
Dreadful

88 Minutes
Contains moderate violence


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Dragon Lee. Image courtesy Brentwood.
More typical of Godfrey Ho's output, this contemporary effort stars Dragon Lee as martial expert Han Lung, who arrives in town looking for vengeance after his brother is murdered by a gang of extortionists. Their leader (dubbed by some clown doing a fifth-rate Humphrey Bogart imitation) tries to force a family off of their farm, in order to use the property for a hotel. After working for a while as a cook (and pummelling the requisite number of troublemakers), Han gets a job at the farm, which is lucky for the owners, as the gangsters decide to start getting rough. With the help of a young expert (REVENGE OF THE DRUNKEN MASTER's Johnny Chan), Han sets about cleaning house. While there is no shortage of goofy moments (Donald Kong To spends most of the picture sporting a wig that is identical to his
character's real hair, and Dragon Lee eschews the usual martial weapons in favor of an aluminum baseball bat!), this is a dire production, with undistinguished choreography, snail pacing, puerile comedy, awful stock music, and more ridiculous-than-usual foley FX. An uncredited Cheung Nik appears in an opening reel fight sequence that has nothing to do with anything here and is obviously recycled from another Asso Asia title (possibly BIG BOSS II) to get the running time closer to 90 minutes.

Colors are overly hot but the image is reasonably good. The sound features the usual weaknesses, as well as one amusingly strange gaffe: every 10 minutes, an audio technician's voice comes on the track and says things like "OK, I'm coming to the end of Segment 1. Out and back in on double beeps." Once again, any and all swearing has been removed from the track.

The Killing Machine
(1975; Toei)


RATING 10
A Masterpiece
9
Excellent
8
Highly Recommended
7
Very Good
6
Recommended
5
Marginal Recommendation
4
Not Recommended
3
Poor
2
Definitely Not Recommended
1
Dreadful

Japanese: Shorinji kenpo
86 Minutes
Contains brutal violence and brief sexual violence


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Sonny Chiba. Image courtesy Brentwood.
Things, thankfully, take a major upswing with this brisk, well-produced Sonny Chiba vehicle directed by Norifumi Suzuki (SHOGUN'S NINJA) and based on the life of Shorinji Kenpo master Doshin So. Following Japan's defeat in WWII, the country is plunged into economic and social chaos. Iron soldier So (Chiba) is unable to live with the disgrace his country now experiences and dedicates himself to helping the unfortunate. Eventually, though, his battles with black marketeers and inhuman American GIs force him to flee Osaka. Relocating to a new area, So establishes a Shaolin martial arts school and finds a number of receptive disciples. This is fortunate,as there are still many miscreants to be dealt with. The proceedings get melodramatic at times, but not destructively so, and the English dubbing is above average. As usual, Chiba's martial arts may not be
all that graceful but he projects strength and intensity better than just about anyone else in the genre (when he hurts people, you can easily believe that they have one foot in the grave). The always welcome Etsuko Shiomi has a supporting role as So's first female student. THE KILLING MACHINE played American theatres with an R rating, which seems incredible, considering some of the carnage on display (most notably, the infamous sequence where Chiba uses a pair of scissors to castrate a rapist, with the man's discarded sai lo then consumed by a passing dog!).

Brentwood's master is identical to the one utilized by Prism Entertainment for their 1985 tape release. The image is usually pale and brownish, with plenty of speckles on the source print. The splice line tends to be visible at the bottom of the screen when shots change and, like most of Chiba's films, the scope photography does not adapt well to 1.33:1. Overall, it's still watchable and several of Chiba's films have arrived on video looking worse. The VHS tape the master was sourced from has some mild damage.

Rage of the Dragon
(1979; Asso Asia Film Production)

RATING 10
A Masterpiece
9
Excellent
8
Highly Recommended
7
Very Good
6
Recommended
5
Marginal Recommendation
4
Not Recommended
3
Poor
2
Definitely Not Recommended
1
Dreadful

Alternate English Title: Mission for the Dragon
90 Minutes
Contains mild violence


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Carter Wong. Image courtesy Brentwood.
Another Godfrey Ho stinker, this snoozer features Dragon Lee as a young master out to find his missing father, who has been accused of murder. The son of the dead man decides to eliminate Lee as recompense but is temporarily dissuaded by a local antiques collector (Carter Wong), who suffers from light sensitivity. However, this benevolence is really just part of a ruse to hide Wong's guilt, which arises from his desire to possess a priceless royal statue. There is absolutely no logic to the way Wong's eye problem is handled (he seems to wear his shades more often indoors than out!) or anything else here...and what is the story with the comic relief supporting character who goes through the entire movie with a piece of mud (or worse) stuck to his nose? The film is further burdened by some of the
most ridiculous foley FX ever heard in the genre and the low impact fighting (which only earned the film a PG rating for the U.S. release) will not impress anyone.

The transfer is equally ghastly: oversaturated colors (with orange fleshtones), very poor contrasts (night sequences are impenetrable and whites bloom), and an exceedingly soft and smeary image. The sound is harsh and the wretched dubbing grates on one's nerves.

The Crippled Masters
(1982)

RATING 10
A Masterpiece
9
Excellent
8
Highly Recommended
7
Very Good
6
Recommended
5
Marginal Recommendation
4
Not Recommended
3
Poor
2
Definitely Not Recommended
1
Dreadful

88 Minutes
Contains moderate violence


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Image courtesy Brentwood.
Chang Cheh's CRIPPLED AVENGERS (1978) told of how a group of disabled men used unusual forms of kung fu to overcome their physical limitations and get revenge upon the man who destroyed their lives. This cheap production takes that premise and "improves" upon it by using actual disabled performers as the leads. Disfigured hunchbacked ganglord Lin Cheng-kung has his men chop off the arms of underling Lee Ho. After enduring untold cruelty and humiliation at the hands of uncaring townsfolk, Lee meets up with a kindly farmer, who helps him regain his strength and confidence. One day, Lee encounters a second victim of Lin's cruelty, Cheng Siu-ching, who had his legs dissolved with acid. An elderly master (who likes to sleep folded up inside a steaming basket) suggests that the men become "two parts of a whole" and concocts the necessary exercises,
leading to the inevitable finale where Cheng hops on Lee's back to battle Lin. While certainly not in the same league as Chang's picture and fundamentally tasteless, this possesses definite curiosity value for its play on the usual Old School scenario and training sequences. No aspect of the production is particularly well executed but the leads (who were the victims of birth defects, rather some kind of debilitating accident) do terrific work under the circumstances and also appeared in two other pictures: TWO CRIPPLED HEROES and FIGHTING LIFE.

New Line Cinema released THE CRIPPLED MASTERS to domestic theatres and on tape and laserdisc before their rights (presumably) expired. Brentwood has utilized a duplicate of their master for this presentation. While the cropping and somewhat soft appearance make this a weak rendering by major studio standards, it is above average for an Old School transfer. Even the audio is clearer and less distorted than usual. New Line's version bears no credits other than the title; reference sources list Joe Law Chi as the director, and Frankie Sum Si-wah and Jack Chow Se-tung as the stars.

Ninja Turf
(1985; Action Brothers Productions)

RATING 10
A Masterpiece
9
Excellent
8
Highly Recommended
7
Very Good
6
Recommended
5
Marginal Recommendation
4
Not Recommended
3
Poor
2
Definitely Not Recommended
1
Dreadful

Alternate English Titles: Chinatown, Los Angeles Streetfighter
82 Minutes
Contains moderate violence, coarse language, nudity, and mild sexual content


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James Lew. Image courtesy Brentwood.
There isn't a ninja within a hundred miles of this awful U.S./South Korean co-production, which was shot MOS and horribly post-synced. Ubiquitous DTV supporting actor James Lew (whose teased 80s hair seriously works against his tough guy image here) plays the leader of a high school extortion gang facing opposition from honest student Phillip Rhee (from the BEST OF THE BEST series) and his tough buddy (Jun Chong). The latter makes the mistake of stealing money from some mobsters, who proceed to kidnap his friends, leading to the inevitable showdown in an empty building. The fights are rarely better than mediocre, while everything else is aimless, boring filler and many of the actors playing students are halfway to getting their social security checks. This evidently had some success back home as director Richard Park Woo-sang went on to helm a 1993 sequel,
CHINATOWN 2, which no one was stupid enough to release on these shores. Bill "Superfoot" Wallace co-stars as a hitman and Brinke Stevens appears in a brief hot tub sex scene. Brentwood's menu copyright notice appears at the close of the end crawl.

After a brief run in theatres via the short-lived Ascot Entertainment Group, this was issued on tape and LD through RCA/Columbia; the latter format is where Brentwood derived their master. If you want to push a bad movie into the realm of truly unwatchable, just give it the kind of transfer that NINJA TURF has received. The image is consistently dark, grainy, and blurry, with anaemic colors. The majority of the movie takes place either at night or in low-light situations and, in many set-ups, virtually nothing of interest is visible within the frame. The sound is probably no worse than the original mix, which isn't saying much. Digital instability is occasionally evident in backgrounds. The only film in the set not to be shot in 2.35:1, NINJA TURF does not look nearly as cropped as the others but that is not much of a plus.

Deadly Kick
(1976; Taechang Productions)

RATING 10
A Masterpiece
9
Excellent
8
Highly Recommended
7
Very Good
6
Recommended
5
Marginal Recommendation
4
Not Recommended
3
Poor
2
Definitely Not Recommended
1
Dreadful

99 Minutes
Contains brutal violence, torture, mild sexual violence, brief nudity, and mild sexual content


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Bobby Kim. Image courtesy Brentwood.
Another South Korean production, DEADLY KICK stars Lo Lieh (who also co-directed with Young Nam-koh) as an ex-con who becomes involved with a smuggling ring and is pursued by a woman he raped and blinded. Also searching for him is Charles Bronson lookalike Bobby Kim (THE MANCHURIAN AVENGER), whose character belonged to the same martial arts society and cannot forgive Lo for his betrayal of their master. He does, however, enter into an uneasy partnership with Lo as part of his plan to take out a Yakuza boss. The story plods along with all the excitement and danger of a molasses avalanche and the choreography is terrible (Lo is supposedly so fast and deadly, we don't even see him hit his opponents in one fight!), though the blind female avenger at least provides some novelty. The movie does have one moment few viewers will forget: in a bit of overkill
worthy of Sonny Chiba, Lo yanks out one villain's intestines and then uses the steaming mess to strangle another! Portions of the film are set in the snowy mountainside and it was obviously no picnic for the actors; you can even see their breath during some interiors!

The image is rather soft and colors a tad pale, and digital instability can be noted in some backgrounds. The sound is very tinny and hard on the ears, a weakness heightened by a truly awful score, and there is some heavy damage on the VHS source. Incidentally, if you've seen another Lo/Kim film called DEADLY ROULETTE, then you've already seen DEADLY KICK, as this is just a bizarre re-edit of ROULETTE (released on tape in the 80s by Ocean Shores). The plot has been reworked and some footage from another picture has been added to the mix.

Fists of Bruce Lee
(1978)

RATING 10
A Masterpiece
9
Excellent
8
Highly Recommended
7
Very Good
6
Recommended
5
Marginal Recommendation
4
Not Recommended
3
Poor
2
Definitely Not Recommended
1
Dreadful

94 Minutes
Contains moderate violence


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Bruce Li. Image courtesy Brentwood.
After three Dragon Lee outings, here is one with Bruce Li, the best of the Bogus Bruces. Li (who also directed under his real name, Ho Chung-tao) plays a security expert hired by a crotchety old rich man to make his mansion safe. However, he turns around and conspires with a gang (whose ranks include THE CHINESE CONNECTION's Wei Ping-ao, cast as yet another irritating little weasel) to kidnap the man's daughter for a hefty ransom. To the surprise of few in the audience (and no one who read Brentwood’s synopsis), Li is actually an undercover agent working to take down some mobsters who are battling for possession of a name list. Li holds off on the overt Bruce Lee mannerisms and the fighting is fairly good but the storyline is almost entirely uninteresting and one's attention frequently wanders during the half-hearted attempts at character
development. Lo Lieh appears briefly in the opening minutes and then again during the final reel to demonstrate a secret weapon that is too silly for words.

Colors are pale, contrasts are harsh, and the image is pretty soft. Cropping is worse than usual here, with several instances where the principle character in a shot is completely off-screen. The sound is tolerable, though the dubbing is abominable (the voice given to Li would not be out-of-place for "The Nerd" in a frat comedy). The translation is amusingly literal, giving Chinese names to the black and Caucasian fighters employed by the villains.

Tattoo Connection
(1978)

RATING 10
A Masterpiece
9
Excellent
8
Highly Recommended
7
Very Good
6
Recommended
5
Marginal Recommendation
4
Not Recommended
3
Poor
2
Definitely Not Recommended
1
Dreadful

Alternate English Title: Black Belt Jones 2
87 Minutes (at 25 frames-per-second)
Contains moderate violence, torture, and nudity


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Tan Tao-liang. Image courtesy Brentwood.
Despite wide exposure in ENTER THE DRAGON, Jim Kelly never made it to the top ranks of martial arts action stars, though not for lack of trying. This HK production has a modest budget but a quality director (Lee Tso-nam) and a terrific cast of genre favorites to back up its imported star. Nicknamed "The Black Six Million Dollar Man," former CIA agent Kelly (looped by someone else) is sent to HK on a mission to retrieve the North Pole Star diamond. The culprits are a group of thieves led by Chen Sing, all of whom have eagle tattoos. The gang's lieutenant, Tan Tao-liang, displays an unusual amount of compassion for a hoodlum, a character trait that should tip-off even the dimmest audience member as to the direction the plot will likely take. When Chen forces himself on Tan's exotic dancer girlfriend and, later, breaks a promise, Tan decides to join forces with the American.
Kelly's kung fu is competent but he cannot help but compare unfavorably with super kicker Tan and a rugged brawler like Chen. However, this remains entertaining, well-paced trash with a good helping of action and an amusingly high degree of gratuitous nudity. The script also provides a few chuckles, some of them actually intentional. To wit:

Kelly: Your Chinese legs aren't bad.

Tan: I thank you. How does defeat taste?

Bruce Liang/Leung Siu-sung (who also served as fight choreographer), Bolo Yeung, Lee Hoi-sang, and Donald Kong To also appear.

Alas, this is the worst presentation of the lot. Contrasts are weak and the resolution is on par with EP mode VHS. The half inch tape master (a shoddy PAL conversion) also contains dropouts and glitches and, in the final half hour, there are major tracking problems that mess up the image and audio. There is the usual wear on the print plus a weird stain pattern on reel 2 that takes up so much of the screen, it deserves supporting billing. Brentwood managed to get both the running time and the title wrong ("Tattoo Collection") in their write-up.

Militant Eagle
(1978; Chia Hsin Film Co/Yi Yun Film Co/Muse International Film Corporation)

RATING 10
A Masterpiece
9
Excellent
8
Highly Recommended
7
Very Good
6
Recommended
5
Marginal Recommendation
4
Not Recommended
3
Poor
2
Definitely Not Recommended
1
Dreadful

93 Minutes
Contains moderate violence and torture


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Pai Ying (centre) and Ling Yun. Image courtesy Brentwood.

The set concludes with Li Chia-chi's MILITANT EAGLE, a passable period yarn starring Barry Chan as a former soldier now making a living as a street performer. Thrown out of a small town by corrupt officials (who collect "taxes" from the people, in brazen opposition to an Imperial decree forbidding such extortion), Chan finds allies in the form of butcher Sit Hon and a young maiden, whose relatives were murdered as retribution for their opposition to the rampant corruption. A government representative arrives and plans to prosecute those involved but a dart-flinging assassin (Ling Yun) and a power mad ex-general (Pai Ying) have other plans. The storyline (which contains the expected elements of mystery and betrayal) is sufficiently interesting to compensate for the fact that there is not much in the way of martial arts until the extended climax. Nancy Yen Nan-hsi, Tsai

Hung, and bald giant Hsiao Chin (THE 72 DESPERATE REBELS) also appear.

Colors are fairly vibrant but the image is dark, soft, and dupey, and the sound suffers from the usual liabilities. Brief digital break-up and some VHS dropouts do not help.


TOUGH GUYS OF KUNG FU
is available at Poker Industries.


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