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Looking for Mr. Perfect
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Cantonese:
Kei fung dik sau We all know times are tough for HK directors
but here is something no one could have expected: Ringo Lam Ling-tung signing
on to direct a romantic comedy/travelogue?! Actually, at the very beginning
of his career, Lam helmed CUPID ONE and THE OTHER SIDE OF GENTLEMAN (sic),
two Cinema City films that initially seem to be romantic comedies but take
such exceedingly unpleasant turns in Act 2, you can almost feel Lam desperately
trying to break out of these assignments and move on to what he does best:
brutally violent and downbeat thrillers where everyone perishes horribly Suffering from nightmares after having killed a perpetrator, policewoman Grace (Shu Qi) decides to accompany her friend Joey (Isabel Chan Yat-ning) to Malaysia, where the latter is scheduled to appear in a commercial shoot for sleazy producer Bobby Chan (Lam Suet). While soaking up the sun and a few unnaturally colored beverages, Grace sees a handsome guy (On, looped by someone else) who is a dead ringer for the Adonis appearing in her dreams of late. He turns out to be Alex, an agent trying to stop a purloined missile defense system from being smuggled out of the country. Chan is in league with dapper criminal Poon (Simon Yam Tat-wah) to do just that but Alex and his bumbling superior (Hui Siu-hung) mistakenly believe that Grace and Joey are involved. Things get even more complicated when the disc that operates the system is stolen by a petty thief (Chapman To Man-chat), and a pair of persistent suitors arrive from HK to repeatedly proclaim their love for Grace. There is a nicely staged jet ski/speedboat chase as well as a valiant attempt to emulate the sleek, dance-inspired choreography of ONCE A THIEF. As in BLACK MASK 2, On is a complete blank but the rest of the cast is spirited, particularly Yam (whose finger snapping, flamboyantly attired villain would have been a perfect addition to the 1960s BATMAN series) and several scenes feature just the right degree of finely tuned chaos to make one smile. Unfortunately, the plot is nonsense even for this sort of picture and the climax quite weak (and definitely not helped by the addition of some chuckling CGI sunflowers). The use of vintage music and cartoon sound FX to underscore the action and humor also tends to be more overbearing than successful. If it had been released a decade ago, PERFECT would be fairly easy to dismiss. However, with the current state of HK cinema, you have to take your entertainment where you can find it, and most viewers should find enough here to at least justify a rental. Crystal Tin Yui-lei, Ruby Wong Cheuk-ling (almost unrecognizable as Yam's punked out girlfriend) David Wu Tai-wai (the Taiwanese VJ, also looped by another performer), Raymond Wong Ho-yin, Nelson Cheung Hok-yun, and Wayne Lai Yiu-cheung co-star. |
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ZOOM
Ruby Wong and Simon Yam. Image courtesy Mei Ah. |
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Hong Kong: IIA
Singapore: PG
The transfer looks terrific, with exactly
the kind of bright, intoxicating colors needed to properly showcase the scenery.
Some reverb occasionally pops up in the 5.1 mix but it is a passable effort.
A 5 minute "Making Of..." is included (Chinese subs only) but where
is the trailer?
**If that catastrophe were not enough of a hindrance to On's career, PERFECT opened during the SARS crisis and sank without a trace. Having problems printing this review with Netscape? Go to the File option in the Netscape Task Bar, click the Page Setup from the sub-menu and make sure that in the Page Options listings, the Black Text box is clicked. This should resolve the "no text" printing problem.
Copyright
© John Charles 2000 - 2003. All Rights Reserved.
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