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Big Shot's Funeral
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Cantonese:
Dai yuen
Produced by Columbia Pictures Asian division, BIG SHOT'S FUNERAL tries to be a cross-cultural farce but inadvertently demonstrates just how difficult it is to make a comedy that can travel. The movie was a major success in China, where the economic upheaval is a constant reminder to citizens that a new consumer-oriented age is just around the corner. However, for the average viewer in America, the birthplace of crass capitalism, the sight of giant inflatable beer cans and umbrella wielding dancers making the MTV logo at a choreographed requiem seems only slightly more preposterous than your average Fox TV special. For those with some knowledge of subjects like the ways in which Asian business negotiations differ from the far more pragmatic American approach, and the rampant video piracy in China, the humor occasionally comes across but it is never pointed or focused enough to produce indelible satire. Also, director Feng Xiaogang (BE THERE OR BE SQUARE) would have been wise to jettison the script's attempts to spark a romance between Ge You and Rosamund Kwan (who was presumably hired because she can speak both Mandarin and English and yet is looped in both languages) as the characters have no visible attraction and the performers no apparent chemistry. |
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The transfer is brilliant, with extremely
vibrant colors, detailed contrasts, and a very crisp image. The film is a
mix of Mandarin and English, with English subtitles where needed, and the
audio offers a nice soundstage. The disc's only extra is a theatrical trailer
(which features Kwan's real voice for everything but her final line) and trailers
for two other Columbia Pictures Asia titles, Corey Yuen Kwai's SO CLOSE and
Tsui Hark's TIME AND TIDE. Having problems printing this review with Netscape? Go to the File option in the Netscape Task Bar, click the Page Setup from the sub-menu and make sure that in the Page Options listings, the Black Text box is clicked. This should resolve the "no text" printing problem.
Copyright
© John Charles 2000 - 2003. All Rights Reserved.
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