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Shaolin Hand Lock
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Cantonese:
Sap ji so hau sau Martial arts master Li Bai (Dick Wei) is visited one day by old friend Fang Yunbiao (Chan Shen) who proceeds to kill him with retractable blades he has hidden in his sleeves. Fang also murders two of Li's disciples, mistakenly thinking that they are the mans son and daughter. Li Chengying (David Chiang Da-wei) and Li Mengping (Chen Ping) swear to avenge their father and, upon hearing that Fang escaped on the next ship to Bangkok, the former decides to give chase. Finding his quarry in a brothel, Chengying coerces him into revealing the name of the party who hired him: the affluent and powerful martial arts proponent Lin Hao (Lo Lieh). Chengying gets the man's attention by stealing one of his gold shipments and then returning it, an exercise to demonstrate his craftiness and superior fighting abilities. Although he suspects an ulterior motive, Lin is sufficiently impressed with Chengying's skills and hires him on as a bodyguard. Not so easily convinced is Kunshi (Michael Chan Wai-man), who has been with Lin for a number of years and regards the newcomer with great suspicion. Chengying's plan to further win his target over is disrupted by the appearance of Mengping, who makes an unsuccessful attempt on Lin's life. The Shaolin Handlock style was created by the Li family and a learned master like Lin is easily able to recognize it, leading him to doubt whether Fang actually completed his mission. For the majority of its running time, SHAOLIN HAND LOCK offers the sort of prosaic revenge scenario one can find in a thousand other such features. Some twists in the final third add a dash of welcome (if not entirely plausible) intrigue and deception, and the Thai locations are fairly well utilized by director Ho Meng-hua (THE MIGHTY PEKING MAN). Although the necessary ingredients are all in place, action choreographer Tong Gai fails to enliven the final duel (some awkwardly executed wirework is a particularly distracting shortcoming) and it is over in almost no time at all. Speaking of martial arts, the titular manoeuvrer looks like a basic wrestling hold and is hardly as novel or lethal as the film would have us believe. Most Shaw Brothers productions are scored with library cues and the ill-chosen track used for the main title here will be familiar to fans of 1960s U.S. sexploitation features. Kara Hui Ying-hung appears in the opening reel as a doomed Li pupil and a young Austin Wai Tin-chi can be glimpsed as one of Lo Liehs henchmen. |
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Ontario: R
Singapore: PG [Passed With Cuts]
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Copyright
© John Charles 2000 - 2004. All Rights Reserved.
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