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If you are only familiar
with Lau Kar-leung's stoic and heroic kung fu epics, this comic yarn
will come as a enjoyable surprise. Dispatched to Canton in order to
find relative Yu Jing-chuen (played by the director), martial arts
expert Ching Dai-nan (Kara Hui Ying-hung) carries the will of her
recently deceased husband. To keep his assets safely away from his
cruel and greedy brother, Yu Wing-sang (Johnny Wang Lung-wei), Dai-nan's
husband decided to leave them to Jing-chuen, who is still a good fighter,
despite being middle-aged. Dai-nan's arrival into the Yu household
creates a classic case of culture clash when she meets up with Jing-chuen's
Westernized son (Hsiao Hou), who prefers to be called "Charlie."
Much to his chagrin, Charlie must show respect towards Dai-nan because
of her position as a family elder, in spite of her resolutely old
fashioned beliefs. The lad does his best to bring Dai-nan up-to-date
by inviting her to a costume ball, where they cut a rug together in
impressive fashion. Meanwhile, Yung-sheng's men (led by Yuen Tak)
use the opportunity to break into the Yu home and steal the title
deeds belonging to Dai-nan's late spouse. The only way to get them
back is by force but Dai-nan and Charlie are the only ones in the
immediate family whose kung fu is good enough.
One of Lau Kar-leung's most offbeat
period films, MY YOUNG AUNTIE suffers from the studio's use of overstated
DeWolfe library music as accompaniment but is an otherwise delightful
affair. The energetic slapstick is as wonderfully choreographed as
the kung fu and Kara Hui (winner of the year's Best Actress prize)
is the perfect heroine and comedienne in what is still her
best role to date. The traditional Chinese notions of family are turned
upside down: Dai-nan is much younger than Jing-chuen (hence the English
title) and about the same age as Charlie, resulting in much hierarchal
confusion. The manner in which both Dai-nan and Jing-chuen react to
Charlie's Western slang and tastes (which were just starting to appear
in HK at this point in history, thanks to the British lease on the
colony) also adds to the amusement. Gordon Lau Kar-fai, Mai Te-lo,
Cho Tat-wah, and Wilson Tong Wai-shing are among the supporting players.
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No complaints about this transfer:
the image looks very nice throughout and the film works better in this
version, with its intended mix of Chinese and English intact (when presented
entirely in the latter language, much of the culture clash humor is
diluted). Unfortunately, the DVD is marred somewhat by another insipid
re-mix. Yes, those annoying insects and birds are back but we also must
deal with the sound of croaking frogs for a 17 minute stretch in the
final quarter! The standard Celestial supplements are included (it looks
like we will not be getting any more theatrical trailers, just video
promo spots), though the behind-the-scenes photo gallery features a
shot of Kara Hui that is not from this film. |
This
DVD is available at: |
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Images in this review courtesy
of Intercontinental Video Ltd. To read captions, hover mouse over image.
Click
here for more information about The Hong Kong Filmography
Copyright
© John Charles 2000 - 2004. All Rights Reserved.
E-mail: mail@dighkmovies.com
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DVD Specifications
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Hong Kong Release
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NTSC -- Region 3 Only
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Intercontinental Video
Ltd #102370
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Dolby Digital 5.1
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Post-synced Cantonese
and Mandarin Language
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Subtitles (Optional):
English, Traditional Chinese, Malaysian, Indonesian
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12 Chapters
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16:9 Enhanced (2.35:1)
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114 Minutes (at 25 frames-per-second)
Ratings & Consumer Information
- Australia: PG
- Great Britain: 15
- Ontario: PG
- Quebec: 13+
- Singapore: PG
- Contains moderate violence and coarse
language
FILM REVIEW RATINGS KEY:
- 10 A Masterpiece
- 9 Excellent
- 8 Highly Recommended
- 7 Very Good
- 6 Recommended
- 5 Marginal Recommendation
- 4 Not Recommended
- 3 Poor
- 2 Definitely Not Recommended
- 1 Dreadful
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