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Last
week, we looked at LONG GOOD BYE, a Chow Yun-fat film from 1982.
HOT BLOOD is an even earlier effort that casts the actor (identified
as Aman Chow Yun-fat here) as dedicated police inspector Ho Cheng,
who patrols the mean streets of HK with hot-headed partner Chang Lei
(played by the like-named actor). The exceedingly episodic storyline
follows the men as they deal with a variety of petty criminals (including
a woman fried on LSD and a doctor smuggling dog meat in the trunk
of his BMW), while also trying to spend quality time with their families
and girlfriends (Sarina Sai Chuk-kuen and Lin Chiao-erh). The connective
thread in the plot concerns the on-going search for murderous thieves
Cateye (Fung Hark-on) and Snakeskin, which even leads the partners
to Macau at one point.
Co-writer/director Yeung Kuen does
adequate work with obviously limited resources (the grittiness of
the camerawork and street scenes could be seen as a plus) but the
pacing is slow and the usual cliches are all present and accounted
for (does it even qualify as a spoiler anymore to mention that the
"aged policeman retiring next week" does not live to see
next week?). There is an authentic surprise in the second half and
some of the down-and-dirty brawling is well-handled but, in light
of the poor presentation here (see below), HOT BLOOD is best left
for diehard fans of Fat Gor. Lots of familiar faces in support
here, including Hon Yee-sang (who choreographed the action, along
with Fung), Hon Kwok-choi, and Ho Pak-kwong (as Chickworm, a habitual
criminal who cannot seem to get half a block away from the police
station before being arrested for something else!). Look fast during
the Macau police raid for an appearance by a very young (and utterly
slim) Eric Tsang Chi-wai. Frankie Chan Fan-kei is credited with the
score but it seems to consist of nothing but library cues.
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What we have here is essentially an
MPEG-2 version of a VCD. The master is ancient, dark, smeary, and center
cropped (aside from the opening credits), slicing off the subtitles
on the sides (those with X-Y scaling or 16:9 sets will have a better
time reading them than most folks). Contrasts are very limited, the
35mm print is quite worn, the splice mark is visible at the point of
almost every shot change, grain is rampant, and the audio is shrill
(the Cantonese track was obviously prepared years later and is so ineptly
dubbed, the Mandarin dialogue can still be heard underneath it!). Worst
of all, the tracks have also been reprocessed into echo chamber 5.1.
Oddly, the single screen menu features a different title for the film
in Simplified Chinese: hu kou ba ya or "Pulling a Tooth
from the Tiger's Mouth." On the meager plus side, there is a nice
reproduction of the original poster on the front cover. No extras are
included. |
Images in this review courtesy
of Maga Base Technology Ltd. To read captions, hover mouse over image.
Click
here for more information about The Hong Kong Filmography
Copyright
© John Charles 2000 - 2004. All Rights Reserved.
E-mail: mail@dighkmovies.com
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DVD Specifications
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Hong Kong Release
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NTSC – Region 0
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Maga Base Technology Ltd.
#MBDVD0932
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Dolby Digital 5.1
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Post-synced Cantonese
and Mandarin Language
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Subtitles (Permanent):
English, Traditional Chinese
- 5 Chapters
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4:3 Fullscreen (1.33:1;
cropped from 2.35)
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96 Minutes
Ratings & Consumer Information
- Australia: M 15+
- Ontario: R
- Quebec: 13+
- Singapore: PG
- Contains moderate violence
FILM REVIEW RATINGS KEY:
- 10 A Masterpiece
- 9 Excellent
- 8 Highly Recommended
- 7 Very Good
- 6 Recommended
- 5 Marginal Recommendation
- 4 Not Recommended
- 3 Poor
- 2 Definitely Not Recommended
- 1 Dreadful
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